Poetry Opportunities

Opportunities for sharing your work abound. This page is updated frequently - please check back often.

**Deadline for NZPS Magazine, a fine line: 7 October**

For submission guidelines, go to: http://www.poetrysociety.org.nz/aboutsubmissionguidelines

Cricket Poetry Award

Deadline: 1 September
Poets are invited to submit a poem celebrating aspects of life in and around the game and sport of cricket, in settings of backyard cricket, beach cricket, club cricket or social cricket. The genre may be narrative, epic, dramatic, satirical, lyrical, elegy or verse fable.

Entries must be posted together with a completed entry form and a non-refundable $20.00 (including GST) handling fee to the Publishers' Cup Inc by 1st September 2010. Any work not accompanied by payment of $20.00 will not be eligible for the competition. Payment may be made by cheque, money order or postal note to the Publishers' Cup Inc. The poem must not exceed 150 words.

Entries will be accepted in 2010 from any citizen who resides in full member-registered ICC countries i.e. - Australia, England & Wales, New Zealand, South Africa, West Indies, India, Pakistan, Sri Lanka, Bangladesh and Zimbabwe who write and complete their work in the 12 months leading up to the closing date - 1st September 2010.

For full details and application forms visit http://www.cricketartprize.org/cricket-poetry-award/entry-2010/

University of Waikato/Creative New Zealand Writer in Residence 2011

Closing date: 1 October 2010. Vacancy number: 300249

Each year the University of Waikato invites applications for the position of Writer in Residence, tenable for twelve months normally from February. The emolument is currently $45,000 jointly funded by the University of Waikato and Creative New Zealand, the Arts Council of New Zealand Toi Aotearoa. The position is open to poets, novelists, short story writers, dramatists, and writers of serious non-fiction. The appointment will be made on the basis of a record of publications of high quality.

The Writer is required to live in Hamilton during the tenure of the award. There are no teaching or lecturing duties attached to the award, the sole purpose of which is to give the Writer the freedom to write. It is expected the Writer will participate in the cultural life of the University. On occasion the writer will be able to take up residence in and make use of the Michael King Writers Retreat in Opoutere.

Enquiries can be made to Dr Sarah Shieff, telephone 07 8562889 extension 8425, email: sshieff@waikato.ac.nz

For more information and to apply, visit www.jobs.waikato.ac.nz

Ko te Tangata - For the People
At the University of Waikato we define ourselves by our academic and research excellence and the strength of our international connections. Our distinctiveness is driven by our focus on sustainability, our commitment to Mâori learning and research, and our role as leaders and innovators.
Our motto, Ko te Tangata, underlines our acknowledgement of the Treaty of Waitangi, equal opportunity for all, the importance of collegiality, and the individuals who are our staff, students and stakeholders.

E herea ana te Whare Wânanga ki te kaupapa kia whakaratohia te mea angitû ôrite ki ngâ tângata katoa.

Poetic CPR, Sydney/Auckland

Submissions for Auckland leg close on 15 September
Programme details are now available for the second part of the trans-Tasman poetry symposium, 'Home and Away', which aims to achieve a poetic version of the CER (Closer Economic Relations) programme between Australia and New Zealand - CPR, perhaps? The Australian end of the programme runs on 1-2 September at the University of Technology, Sydney (UTS).* Everyone is welcome to attend; there is no registration fee and all sessions are public. The New Zealand contingent includes John Newton, Chris Price, Michele Leggott, Janet Charman and Selina Tusitala Marsh; the Australians are fielding John Tranter, Pam Brown, Jill Jones, Ken Bolton and Cath Kenneally among others.

The organisers are also inviting submissions for the second half of' All Together Now: A Digital Bridge for Auckland and Sydney'. The first part of the digital bridge is on display at http://www.nzepc.auckland.ac.nz/features/home&away/bridge.asp

Anyone interested in poetry and its conversations can send a submission to the digital bridge. Poems and prose (prose no longer than 2000 words) should be sent to nzepc@auckland.ac.nz as attached files. If you are sending images, audio or video, check about suitable formats for upload.

NZPS publication a fine line - call for submissions

Deadline: 7 October
The editor welcomes your contribution. We currently pay a small fee for Feature Articles. See publication guidelines for these and other sections of the magazine at http://www.poetrysociety.org.nz/aboutsubmissionguidelines We also welcome submissions of members' poems, though there is currently no payment available for these. For that reason, we do not insist on First Publishing Rights. However, if you submit a previously published poem, please advise, so that correct attribution of the original publication details can be made.

Michael King Writers' Centre Residency Opportunities for 2011 - Call for applications

Applications close on 8 October, and selections will be made by the end of October.

The Michael King Writers' Centre is pleased to announce its 2011 residency programme and applications timetable. The centre plans to offer four supported residencies, ranging between eight weeks and six months.

The residency programme aims to foster New Zealand literature by providing opportunities for writers to work full-time on a major project. Authors receive a stipend, free accommodation and studio working space at the Michael King Writers' Centre in Devonport, Auckland.

The residency opportunities planned for 2011 are:

• The Summer Residency, eight weeks from January 12 (stipend $8,000);
• The Autumn Residency, eight weeks from March 14 (stipend $8,000)
• The Maori Writer's Residency, eight weeks from May 12 (stipend $8,000)
• The University of Auckland Residency, six months from July (stipend $30,000)

The centre is now calling for applications for the Summer and Autumn residencies, which are supported by a grant from Creative New Zealand.

The Maori Writer's Residency and The University of Auckland Residency are pending confirmation of funding. The centre is inviting expressions of interest in these opportunities. Provided funding is confirmed, the closing date for applications will be Tuesday December 7, 2010, for The University of Auckland Residency and Friday December 17 for the Maori Writer's Residency. The University selection is expected to be made before Christmas and the selection for the Maori Writer's Residency will be made by late January 2011.

Selected authors stay at the Michael King Writers' Centre for the duration of the residency and may be invited to take part in local cultural activities. Writers who normally live in Auckland are welcome to apply and may opt to have a part-time living or working arrangement at the centre.

Detailed information and application forms for the 2011 residency opportunities are available on the centre's website www.writerscentre.org.nz under the section Writers in Residence, or contact the centre.

For further information, please contact the Michael King Writers' Centre: Ph/fax: 445 8451 Email: administrator@writerscentre.org.nz

2010 NZSA Mid-Career Writers Award - Call for nominations

Closing date: 15 October

Mid-career writers have been an area of focus for the NZ Society of Authors for some time now, and we are pleased to be able to offer an award to recognise the oeuvre of published work by a mid-career writer. The purpose of the award is to offer recognition to an author who has made a contribution to New Zealand literature, but who may not necessarily have achieved a high level of publicity for their work.

Anecdotally, the mid-career of a writer can be slow; new writers often tend to garner more media interest for their publications, and unless a writer is shortlisted for an award, their work can quickly become neglected. The NZSA hopes, by offering this award, to go some way to redressing such issues, at least for one writer each year, by offering both some monetary assistance and recognition of their work.

The award will be open to writers of fiction, poetry, short fiction collections, drama and literary non-fiction, and is worth $3,500. For the purposes of this award, a mid-career writer is defined as being one who has published a minimum of 3 books, and has been actively writing and publishing for a minimum of 5 years; a playwright will have had at least 3 works either performed or published.

The inaugural recipient of the award was the poet David Howard. Based at Port Chalmers, David is the author of five collections of poetry, including Shebang (Steele Roberts, 2000), and The Word Went Round (Otago University Press, 2006).

For a nomination form email programmes@nzauthors.org.nz or visit our website.

Turbine - call for submissions

Deadline: 26 October
Submissions of poetry, fiction and creative non-fiction are invited for the 2010 edition of Turbine, which will be edited by Hannah Newport-Watson and Sylvie Thomson. Submission guidelines on website: http://www.victoria.ac.nz/turbine/submissions.htm

Summer writing workshops, Wellington

Applications close: 9 November
Every year the IIML offers special workshops taught by outstanding Creative Writing graduates from the University of Iowa. The Iowa Writers' Workshop is America's oldest and most prestigious creative writing programme, and numbers among its graduates a dozen winners of the Pulitzer Prize. Raymond Carver, John Irving and Flannery O'Connor are among the most distinguished fiction writers to have come through Iowa. Poets include Robert Bly, Jorie Graham, and US poet laureates Rita Dove and Mark Strand. Over the summer of 2010/2011 two graduates of the Iowa Writers' Workshop will convene workshops in prose and poetry at the IIML.

1. Prose stream: Courage and Tenderness
This short fiction workshop invites you to write in the company of writers who demonstrate courage and tenderness in language, story, and meaning. Along the way, we'll explore the challenges they took on, the mysteries they delved into, and the strength and quality of the feelings they drew from themselves - so that you can advance your own work as a writer. Authors will likely include Alice Munro, Dylan Thomas, Italo Calvino, Jorge Luis Borges, Roberto Bolano, and Anne Michaels.
The convenor of this workshop is Thomas Fox Parry. His fiction deals with love, both awkward and grand, heroism, both big and small, as well as strangeness and awe in the midst of adventure. He has a novel and a collection of interlinked stories in the works. Aside from writing, he has worked as a mover, donut maker, prison tour guide and coat-check boy.

2. Poetry stream

According to the poet Robert Creeley, ‘we make with what we have, and in this way anything is worth looking at.' And according to Louis Zukofsky, ‘poetry is derived obviously from everyday existence (real or ideal).' Through reading many modern poets and their statements of poetics, we will attempt to figure out where meaning is found - and made - in poetry. Through writing experiments and workshops, we will focus on ways to work within constraints of the poem. All that is required is willingness, and inquisitiveness, and a sense of humour.

The convenor of this workshop is Alan Felsenthal. He was the Associate Editor for Poetry at The Iowa Review, and has taught Creative Writing at the University of Iowa. He co-edits a chapbook press known as The Song Cave. His work has appeared in Microfilme Magazine, Hannah, improbable object, and The Iowa Review.

Both courses run from 6 January -11 February, and involve two 3-hour workshops each week. For full details see the website: http://www.victoria.ac.nz/modernletters/courses/#trimester-timetable

Redheaded Stepchild (USA)

Accepting submissions throughout February only
The Redheaded Stepchild only accepts poems that have been rejected by other magazines. We publish biannually, and we accept submissions in the months of August and February only. We do not accept previously published work. We do, however, accept simultaneous submissions, but please inform us immediately if your work is accepted somewhere else. We are open to a wide variety of poetry and hold no allegiance to any particular style or school. If your poem is currently displayed online on your blog or website or wherever, please do not send it to us before taking it down, at least temporarily.

Submit 3-5 poems that have been rejected elsewhere with the names of the magazines that rejected the poems. We do not want multiple submissions, so please wait for a response to your first submission before you submit again. As is standard after publication, rights revert back to the author, but we request that you credit Redheaded Stepchild in subsequent republications.

We do not accept email attachments; therefore, in the body of your email, please include the following:

· a brief bio

· 3-5 poems

- the publication(s) that rejected the poems

Send your submission to redheadedstepchildmag (at) gmail.com. Change at to @

Writers Retreat, Wairarapa

New Pacific Studio: artist residency in historic house next to wildlife centre 20 mins north of Masterton, invites applications from writers for weekend (3 night $90) or weekday(4 night $110) residencies. Sleeps 7 in main house and cottage, ideal for workshops. Fine library, internet connection.

www.newpacificstudio.org email newpacificstudio@xtra.co.nz

Eclecticism - e-zine submissions (Australia)

Eclecticism is an Australian e-zine determined to present the work of a growing creative community. It is free to download and read. As the name suggests, Eclecticism aims to draw a diverse range of creative minds, styles and genres. The first issue was released late July 2007. Each issue has themed and open sections, and we are currently seeking contributions from writers of prose and poetry, illustrators/artists, and beat-musicians. Eclecticism is free - a non-profit e-zine that hopes to showcase current writers, expose emerging writers and artists and provide an avenue for those with one or two stories within them. It is available to download (PDF format) from the website. Readers are encouraged to subscribe to the e-zine to build its fan base and be the first to receive notification of each issue's release. - Craig Bezant [Editor] on behalf of Eclecticism. http://www.eclecticzine.com

The Electronic Poetry Network (USA)

The EPN is Looking for Your and Your Poems
If you wish to have your poems considered for The Electronic Poetry Network, please send 5-10 short poems (no longer than about 50 words each) to ccolon@shreve-lib.org The poems do not need to be haiku. They just need to be short and suitable for the general public. Previously published poems are acceptable. The poetry on the Electronic Poetry Network is displayed all day or all weekend long on an electronic message board, which is located on the first floor of the Main Branch of Shreve Memorial Library, Shreveport, Louisiana. We also post the poems on our newly updated web site: http://www.shreve-lib.org/images/Poem.htm The site features a week's worth of poems. In addition, the "Poem of the Day" is e-mailed to poetry lovers in our 20-branch library system. http://www.shreve-lib.org/poemofday.htm

the fib review (online, USA)

The Fibonacci poem is a short poetry 6-line poetry form that is based on the structure of the Fibonacci sequence. For those unfamiliar with the Fibonacci Sequence, it is a mathematical sequence in which every figure is the sum of the two preceding it. Thus, you begin with 1 and the sequence follows as such: 1+1=2; then in turn 1+2=3; then 2+3=5; then 3+5=8 and so on. The poetry sequence therefore consists of six lines of 1, 1, 2, 3, 5, and 8, with each number representing the number of syllables that a writer places in each line of the poem. For literary purposes the standard sequence usually stops at 8 syllables, but many poets have experimented with poems that go well into higher digits, or poems that are a reversed sequence. As a literary device, it is used as a formatted pattern in which one can offer meaning in any organized way, providing the number sequence remains the constancy of the form.

The subject of the Fibonacci poem has no restriction, but the difference between a good fib and a great fib is the poetic element that speaks to the reader. No longer just a fun form to write as a math student, the poets who write good Fibonacci poems have replaced the ‘geek' with the poet.

You may submit to The Fib Review by sending your Fibonacci poems, narratives, or experiments to musepiepress@aol.com.

Make sure that what you send is your best work. Please also make sure to type in the subject line "For The Fib Review." Submit the poems only in the body of the e-mail in plain text. No submission e-mails will be accepted with attachments. If for some reason your work is long and attachments might be necessary, contact the editor, Mary-Jane Grandinetti, at the above e-mail address first so that a plan can be formulated to receive your submission.

The Fib Review will accept submissions year-round and will publish accepted submissions in three issues to be published over the course of a calendar year.

Fractured West (USA)

Fractured West, a new journal of flash fiction, prose poetry, microfiction, sudden fiction, vignettes, and short short stories, seeks submissions up to 500 words for its premiere issue. Enter by email. Send only one entry and wait for a decision before sending another. Submissions accepted year-round. Editors say, "We like: Honesty, fury, humiliation, and unusual beauty; stories that hurt to write, that are uncomfortable to read; literary, genre, and experimental/non-narrative works." See website at http://fracturedwest.com/

The Great American Poetry Show (USA)

- is a hardcover serial poetry anthology open year-round to submissions of poems in English on any subject and in any style, length and number with a SASE. Email poems only by one attachment to: info@tgaps.net. We have three editors who can handle a lot of submissions. So please send us a lot of poems.

If we do not accept your poems, please send us another group to go through. Simultaneous submissions and previously published poems are welcome. Response time is usually 1-3 months but can take much longer if we get sidetracked doing other things in our busy lives. If you submit poems to us and don't hear back from us in three months, please contact us to find out what's happening with your submission.

Each contributor receives one free copy of the volume in which his/her work appears. Volume 2 is scheduled to appear in June, 2009. Please take a look at our website where you can preview Volume 1 of TGAPS and also purchase a hardcover copy for $US35 or an ebook copy for $US7.50. *The ebook is priced especially low for use in poetry and creative-writing classes. * Also take a look at our links page with hundreds of interesting sites to visit. And please use our message boards where you can view interviews, reviews, essays, articles, and recommended poetry books. Larry Ziman - tgaps

Volume 2 of the Great American Poetry Show is now taking submissions by email info@tgaps.net and by regular mail at:

The Great American Poetry Show
P.O. Box 69506
West Hollywood, California 90069

Check out the colourful website at www.tgaps.net

The International Association of Poets, Essayists & Novelists (IAPEN) - call for submissions (India)

The IAPEN, India, sponsored international literary journal Kohinoor invites poems, short stories, book reviews, research papers and interviews globally from reputed scholars with short literary achievements, for publication. Email for prompt reply: arbind442002@yahoo.co.in or kohnoor@rediffmail.com (sic)

The Lumiere Reader looking for submissions

The Lumiere Reader (www.lumiere.net.nz/reader) is seeks submissions of previously unpublished short fiction and poetry "of all styles and subject matter" for a regular creative writing feature. Fiction submissions should be no longer than 2000 words, and poetry submissions no more than five poems. The Lumiere Reader's books section is edited by 2006 MA graduate Amy Brown, who also co-edited Turbine 06 and was a major contributor to Salient's book review pages in 2007. Email amycbrown@myfastmail.com with any questions or submissions. (IIML newsletter)

MAI Review, Call for submissions from Writers on Māori and Indigenous Development

The Journal aims to publish quality material that contributes to the body of knowledge about Māori and Indigenous development. It aims to do so in a way that also assists in advancing the capabilities of Māori and Indigenous people who are engaged in research and scholarly training. The Journal is totally electronic and features articles, peer commentaries, reports, a workshop corner, along with opportunities for posting comments and for engaging in online dialogue.

A key objective is to focus on knowledge that facilitates and fosters capacity and capability building for Māori and Indigenous people. This focus is seen as encompassing pre-doctoral and doctoral levels and beyond to include career development, leadership and mentoring.

A parallel objective is to provide material that supports capability building and assists researchers and students whatever the context of their work. Such contexts will include local, Iwi, institutional, national and international perspectives.

A particular objective is to disseminate information and ideas relating to capability building as widely as possible and in a way that encourages discussion and sharing through the MAI Korero section of the Journal.

There are three main issues per year (April, August, December). These issues may be supplemented by special issues from time to time. www.review.mai.ac.nz

POETRY:

So, now MAI Review Journal will move into the field of poetry submitted by indigenous poets...submitted to the Poetry Editor at rapatahana@hotmail.com - up to four previously unpublished poems, please. Our first issue featuring poetry will be in August 2010, and already we have submissions from poets such as Robert Sullivan, David Eggleton, Briar Wood, Doug Poole, Serie Barford, Brian Potiki, Reihana Robinson, Michael O'Leary...the aim is to also publish in hard copy.

Other Poetry (UK)

Go to http://www.otherpoetry.com/ Other Poetry is published three times per year, welcomes new and established poets, and accepts e-mail enquiries. Writer's guidelines are online and payment is £5 (US$9.66). There is no restriction on theme, subject, length, or style. Allow six weeks for a reply.

Poems Wanted

Poesy, a quality focused wholesale company producing gourmet food products, requires poems. "As our name suggests, as well as being about food we are about poetry. We combine the two by placing small cards containing poems inside the packets of food we produce. We have the potential to publish a large amount of poems in this way and are welcoming submissions.The poems need to be 10 lines or less. We pay anthology rates." For more information contact Alex at alex@poesy.co.nz

Poetry Ark (USA)

Literary forum edited by Dirt Press founder Brian Lemond and writer William Keens offers over $2,000 in prizes for poems featured on the site, as determined by reader vote. Previously published work accepted. The work they accept is more sophisticated than the typical offerings at amateur poetry forums. http://www.poetryark.org/

Poetry Sz: demystifying mental illness

Submissions accepted year-round.
We are calling for original, previously unpublished poetry written by people who have experienced mental illness. Poems of all topics and styles are welcome. Website: http://poetrysz.blogspot.com Submission guidelines at http://www.poetrysz.blogspot.com/2006/04/submission-guidelines.html

Send 4-6 poems and a short bio in the body of your email to poetrysz@yahoo.com

Prima Storia

A new literary and art magazine is calling for innovative and talented writers of good quality to contribute. The web-site is: http://primastoria.com/. It is a web journal and the editors are enthusiastic and committed. One of the co-editors, William Robertson, is the son of NZPS member and 2nd Prize winner of our 2008 International Poetry Competition (Open Section), Elizabeth Robertson.

Public Programme Opportunities, Auckland

Public Programmes at Auckland Art Gallery, Toi o Tâmaki would like to offer New Zealand writers, poets, authors and illustrators of children's books the opportunity to either launch, read or draw from their new publication at the Gallery.

The readings would be -
• either located in the exhibition spaces or in the Art Lounge at our relocation site - the New Gallery, corner of Wellesley and Lorne Streets
• free to the public
• ideally scheduled on a Sunday to maximize an audience.

The Gallery offers to -
• promote the event via our html eNews email newsletter (currently going out just over 11,000 subscribers)
• design and print a colour promotional A4 flyer for our information desk and for you to distribute to your own network as either a hard copy or electronically as a pdf.
• list the session on our website
• sell any publications with no commission

As part of our public programmes you would have free access to the Art Lounge, which has a screen, data projector, DVD player and laptop connection.

We also run KidsClub, a one hour children's programme for 5 to 10 year olds, every Sunday at 11am and 2pm. This is an excellent arena in which to conduct readings of children's book or illustration demonstrations and of course encourage the purchase of the books.

Please note that to be part of a public programme any launch, reading etc must occur between 10am to 5pm and be free and open to the public.
After 5pm access to any Gallery space comes under the jurisdiction of our venue hire coordinator.

If you would like to be involved please contact Kim as soon as possible: Kim O'Loughlin, Curator, Public Programmes, Auckland Art Gallery Toi o Tâmaki ph 09 307 7476 e kim.oloughlin@aucklandcity.govt.nz

Shot Glass Journal (Online, USA)

Submissions are welcome year-round. The September issue will feature New Zealand poets.
You may submit to Shot Glass Journal by sending any short poetry that is under sixteen lines to musepiepress@aol.com Short poetry can include short form poetry, free verse and prose poetry. Prose poetry should not exceed ten lines. All poems must be the original, unpublished work of the submitter.

Make sure that what you send is your best work. Please also make sure to type in the subject line "For Shot Glass Journal." Submit the poems only in the body of the e-mail in plain text. No submission e-mails will be accepted with attachments. If for some reason attachments might be necessary, contact the editor, Mary-Jane Grandinetti, at the above e-mail address first so that a plan can be formulated to receive your submission. www.musepiepress.com/shotglass

Shot Glass Journal will accept submissions year-round and will publish accepted submissions in two issues to be published over the course of a calendar year.

Takahe

Published three times a year. Publishes short stories, poetry and art by established and emerging writers and artists as well as essays and interviews (by invitation), and book reviews in these related areas. "Grants from Creative New Zealand Toi Aotearoa have enabled us to make a small payment to local writers and poets for work published. Overseas contributors receive a year's subscription to the magazine." Guidelines: http://www.takahe.org.nz/submissions.php

Tabletop Greeting Cards (USA)

We are representing a Greeting Card company who is interested in reviewing writings for publication on greeting cards. We are looking for freelance writings capable of writing highly original and creative submissions on friendship, family, special occasions, positive living, and other topics one person might want to share with another person. Submissions may also be considered for inclusion in printed book anthologies. We pay up to $300 per poem for all rights to publish it on a greeting card and $50 if your poem is used only in an anthology. Please note that this is a call for submissions rather than a traditional position. We are looking for authors who have the ability to express emotion into words that other people don't always know how to express. If you feel that you have the necessary skills please email us a short poem on love for a hypothetical Greeting Card for lovers. Please note that your poem will not be used, or distributed in any way unless we offer you the job and decide to use the poem on an actual greeting card.
http://www.freelancejobopenings.com/job/1a5b2cce9003d0497d63b8dc11b8e7a5/?d=1&source=rss_page

The Threepenny Review (USA)

Quarterly Literary Magazine. Critical articles should be about 1500 to 3000 words, stories and memoirs 4000 words or less. Pays $US400 per story or article, $US200 per poem. Go to: http://www.threepennyreview.com/submissions.html

Weirdyear Daily Flash Fiction (USA)

Online journal publishes flash fiction, poetry, and hybrid experimental fiction on a daily basis. Humor, fantasy, sci-fi, and other genres are welcome. Website: http://www.weirdyear.com/

Wet Ink (Australia)

Australian based journal Wet Ink accepts submissions on a regular basis. Poets who have work accepted are paid ($50). All submissions have to be previously unpublished and not currently under consideration elsewhere. Submissions should be made in hard copy, but if a piece is accepted you will be asked to re-send it as a MS Word document by email. For poetry:

• Please send no more than three poetry submissions.
• Only hard copies considered.
• Include a cover letter with the title of your work plus all contact details for each submission.
• Put your name on the cover letter but NOT on the poem.
• Include date and line count.
• Text should be in Times New Roman 12pt.

Submission criteria appear here: http://www.wetink.com.au/assets/pdfs/Wetink_submit_write.pdf

Writers' standard form covering letter should be used with submissions: http://www.wetink.com.au/assets/pdfs/Wetinkcoverletter.pdf

Return to top

New Zealand Poetry Society Te Hunga Tito Ruri o Aotearoa